Oct 26

Wedding couples are frustrated. DJs are frustrated. There’s a disconnect here. But what exactly is the problem?

It depends on who you ask. DJs continually wonder why brides and grooms treat the mobile DJ — the type who lugs around his equipment to show up at big events and weddings — as a commodity. In other words, couples price-shop ruthlessly, as if any given DJ were interchangeable with the rest.

Paul Arnett, a Yorkshire DJ and NADJ (National Association of Disc Jockeys) member who organizes the UK’s Mobile DJ Show North event, puts the problem like this: “Well, your average couple spends hours deliberating over the dress. You hand-pick the caterers. You pore over flowers and sweat over the florist. You spend hours choosing just the right venue and church — not to mention the time spent on favors.’

“But then, you go out and hire a DJ because he’s ten dollars cheaper than the next one. Or he’s a friend of your brother’s, or he does Tuesdays at the local bar. You might never even see him work, check out his equipment, or meet with him personally to make sure he’s suitable.”

Most couples handle every other major item in their budget differently. You don’t choose one venue over another because it costs a hundred dollars less. Few brides with a budget to work with buy their cakes from the discount grocery store, even though that cake (slathered in tubs of “BetterCream” frosting) would be much cheaper than one from the designer bakery downtown. Instead, they investigate. They take pictures. They taste-test amaretto fillings and hors d’oeuvres. And eventually, they settle on the vendor who seems poised to deliver the best experience to their guests.

Why Is It So Different With DJs?

Part of the answer is an image problem, says Paul. “People perceive that most mobile DJs will turn up fifteen minutes ahead of time, with a couple of speakers and some cheesy circa-1970’s light screens, and play ‘Agadoo’ all night.” (For we lucky few who haven’t heard it, the 1984 song Agadoo frequently charts as “the worst song of all time.”)

We all feel confident identifying an excellent meal or a sublime dessert. But few of us feel comfortable evaluating DJs in the same way. We know that a good one can “get the party started,” but we’re not sure how to tell a good one from a bad one.

Some people think so poorly of DJs, they prefer to eliminate them entirely, soundtracking the dance portion of the night with iPods or laptops. This isn’t easy — it requires you to rent expensive sound equipment, find someone to mind the iPod, possibly buy insurance, and somehow get around or ignore the technical issues, like the inevitable three second delay between songs you get on an iPod. And yet some people find that preferable to risking the “Agadoo” or “Chicken Dance” scenario on their Big Day.

An iPod might well be better than a bad DJ. But the DJ is a key part of your five-hour reception, and some of them are very good indeed.

When She Was Good, She Was Very Very Good

Perhaps it’s hard for the average bride and groom to grasp the difference between a green DJ with low-end equipment, and a seasoned one who knows how to transform shy and retiring Clark Kents into dance floor superheros.

The first may be nothing more than a glorified CD changer. He may or may not have a firm grasp of the different musical needs that accompany standard reception rituals, like the cake cutting or the father/daughter dance. He may lug in his entry-level Peavy subwoofers and arrange his sound system in ways that ignore your venue’s peculiarities.

The second may have emceed hundreds of weddings. Along the way, he’s developed something subtle but important known as voice and personality — not an imitation of some radio host’s, but his own. He doesn’t practice on your wedding; he brings his skills to it, along with a top-of-the-line sound system, which he’ll arrange differently depending on factors like whether or not your venue is broken up into several chambers (the cocktail lounge and the banquet area, for example).

If he’s a gearhead, he might even offer specialty lighting abilities you might not think of, such as the ability to shine gobos on the dance floor — gobos being customized templates that display things like your wedding monogram. Some DJs even offer giant video screens and live replays of key points in the reception.

But the most important skills a good DJ will bring to your wedding is a honed personality, a formal-friendly image, and an absolute mastery of what gets crowds on their feet.

Okay, so you get it. You understand that not all DJs are alike, and that a good one brings as much your wedding as any premium florist or baker. So how do you find him?

Choose DJs that Take Their Job Seriously

Skip the part-timers — they’re still learning the ropes, and they’ll be practicing on your wedding. Instead, look for full-timers who show their commitment to the profession by belonging to professional DJ associations such as CPDJA, ADJA, & NAME, or NADJ in the UK.

Paul adds, “Ask if they have public liability insurance (in case Grandma trips over a speaker wire) and PAT electrical test certificates (to insure their equipment is safe). This also shows they’re professionals and not cutting corners.”

Meet with them in person, and take a gander at their sound systems. You might not know your Geminis or Peaveys from your Mackies or QSCs, but even a casual glance should tell you whether the DJ or company invests in good equipment. In fact, most will be delighted to run you through their top-of-the-line systems if you give them the slightest excuse.

While you’re there, take a look at their promotional photos and videos. Are they wearing tuxes? Do they look sharp? Does their sound stage sport garish self-promoting signs, or do they keep things discreet?

Turn on Your X-Ray Vision

Everyone has what it takes to pick a great DJ. You simply have to meet with them in person, and absorb what they have to offer.

Paul says, “Talk to them — their personality should shine through. While you’re there, ask them what special qualities they can bring to their wedding. Ask how they’re prepared to work with you to make your day extraordinary.”

The DJ should be happy to meet you, seem interested in the specifics of your venue, and ask questions. “Any DJ who seems phased or reluctant by any of this — they’re not the one. If your DJ seems bored, or gives you the sense you’ll be just another date on their calendar, they’re also not the one.”

A Coda for the Couple

It’s true with the cake, it’s true with the steak tartar, and it’s true for your DJ — the final word is quality, not price. As Paul puts it, “When you look back on your wedding reception in years to come, do you want to remember what a fantastic time everyone had? Or do you want to say, ‘Well, at least we saved some money on the DJ?’”

Good DJs see themselves as part of the larger picture. They expect to work closely with your coordinator, photographer and videographer, and to custom-fit their setup to your venue. So hire a good DJ — one who can help you tailor the night’s entertainment to your individual wedding.

“And see what they can offer to make your wedding function unique,” adds Paul.

Blake Kritzberg is editor of FavorIdeas. Stop by for continually-updated celebrity
wedding news, remarkable beach wedding favors, exclusive hairstyling articles and gorgeous and unique wedding favors.

Oct 25

The banquet room is immaculately set. The flowers adorn every table. You splurged and spend the extra to have the white chair covers. The appetizers are passed as guests mingle with drinks in hand. The music softly plays in the background, setting the perfect tone. But wait, the lights in the facility are on so bright that they drown out the candle light. Lighting can ruin the stage – at the wrong level or cued at the wrong time.

Lighting can add or detract from your wedding reception. The banquet staff runs around and has little care for lighting. Asking them to dim the lights once dancing starts is like pulling teeth – most of the time they just don’t want to be bothered. How important is lighting? Fill the dance floor and then go turn the lights on full bright and see what happens. The dance floor clears and people are slow to come out and dance. Dim the lights again and the dance floor energy builds once again at your wedding reception.

Imagine an event where there is a dedicated person responsible for setting the theatrical stage with light. The lights dim at exactly the right time. The room changes from blue to pink as the bride and groom enter. A spot light follows them as they walk towards the dance floor for their first dance. The entire room pulsates with changing lights and patterns when your guests are filling the dance floor. Green laser beams arc across the room. Look up; the ceiling is filled with stars from a gobo projector as the night sky is portrayed above your heads. You are dancing beneath the stars at your wedding reception.

Your wedding reception disc jockey and lighting specialist can create not only the perfect soundtrack, but can set the stage for a spectacular visual experience as well with today’s high-tech lighting options. Flood lights, computer controlled luminaries, gobo projectors and LED color wash lights can make this happen at your wedding reception.

Rob Alberti
Owner of After Hours Disc Jockey Service – Serving the New England Area since 1983
http://www.afterhoursdj.net
info@afterhoursdj.net

Oct 12

Over the course of the last four years TNA Wrestling has attempted to turn itself into a competitor to the WWE. With the acquisition of Kurt Angle this weekend (Sunday 24th September 2006) they have suddenly attracted a lot of extra attention. But is this competing with World Wrestling Entertainment a realistic and achievable goal?

The Creation of TNA Wrestling

Started in 2002 by Jerry Jarrett and his son Jeff Jarrett, TNA Wrestling was created as a result of WWE’s complete dominance of the wrestling industry. When WWE acquired WCW in 2001, they made themselves the only national wrestling federation on television.

Jerry Jarrett has indicated that one of the reasons he initially started TNA was to give his son Jeff somewhere to wrestle as personal and political issues with Vince McMahon meant it was extremely unlike Jeff would ever set foot in a WWE ring again.

The initial format for TNA Wrestling was a series of weekly pay per view shows at a low dollar price. It was a unique format that was at once both liberating and limiting. Being on PPV meant that the company could do almost anything it wanted, but it also severely limited it’s presence in front of viewers eyes. How do you sell a pay per view if you don’t have any television time to market it on?

Since then TNA Wrestling has taken slow but steady steps towards a more mainstream presence. Initially with a show on Fox Sports Network, they have now been airing on Spike TV for about a year and have established a pretty consistent audience. On Sunday 9/24/06 they announced that they had secured a better timeslot for the show iMPACT, moving into primetime at 9PM on Thursday nights.

So, are they ready to compete with WWE? Based on their current product, my answer is a definitive no.

Why TNA Can’t Compete With WWE

In its current state TNA, lacks clear direction. It doesn’t seem to know what it wants to be. TNA contains a number of unique elements, each of which might be a selling point to some segments of the larger wrestling audience, but to date TNA Wrestling has been completely unable to present those elements in a way that captures interest on a wider scale.

The six-sided ring that TNA uses is primarily a gimmick, but one that at least makes the company visually different to its competition which is a good thing. Similarly the two entrance tunnels, one for faces, one for heels could be an effective technique to cue the crowd into who to cheer for. Unfortunately TNA has completely failed to capitalize on that.

Over the last few years, TNA has attempted to create some signature matches for itself. This has been a reall mixed bag. On the one hand we have the impressive Ultimate X match, but on the other there’s the overly confusing King of the Mountain match and then we have the X-Cup which sounds good but has a scoring system that only a calculator could love.

Another tick in the plus column must be the X Division itself. Primarily a cruiserweight division, TNA has done a good job of re-branding it so that it is presenting something that feels different to other wrestling. Unfortunately they have been unable to package the X Division wrestlers in a fashion that will appeal to anyone other than the hardcore wrestling fans.

The only wrestler that TNA has who could be described as a potential breakout star is Samoa Joe and the current creative direction is jeopardizing a year’s worth of star making.

There’s an additional PR problem that TNA faces. There are a few too many old faces on their shows, people that were stars (in some cases) but are too old to be entirely credible in the main event any more. Using names like Sting and Scott Steiner might get a one off ratings push, but by placing them in title contention TNA makes itself look like WCW 6 years ago.

How To Compete With WWE

So having established why I don’t think they are ready to compete with WWE, what do I think they can do to get ready?

Actually I think they have all the necessary elements already in place in the company. The trick to my mind is not to attempt to be WWE or WCW. They don’t have the marketing power to go head to head and even in the best case scenario, they won’t have that power for at least 4 more years.

What they do have is the talent to win over specific groups of wrestling fans. Those groups combined would probably still not come close to WWE’s total demographic, but they would give it enough mindshare to really start building the stars that can make them a competitor.

As I said, TNA Wrestling has the elements it needs it just isn’t utilizing them. The X-Division is something that can’t be seen elsewhere on tv and it inherently appeals to the hardcore wrestling fan. The sort of person who would go to a Ring of Honor show. On its own though it doesn’t appeal to the sort of person who comes to my site once a month to check the latest PPV results. For that you need feuds, not random matches. The same is true for the tag division.

TNA is also in a position to out-hardcore WWE’s ECW brand since the TNA schedule is so much lighter than ECW’s with few house shows.

But the TNA needs to focus on a handful of feuds at at time and build them properly. They can still pad their PPVs with some amazing workrate matches, so long as the keystone feud matches are there too. I’d suggest they should be overlapping their feud building. Each PPV should probably be the culmination of 3-4 feuds, but the previous 4 week’s iMPACT shows can intermingle those big feuds with slowly building issues that will come to the front the following month.

It’s a simple enough formula, but actually implementing it… that’s much harder.

Visit Pro-Wrestling News Direct For The Latest News and Rumors from WWE and TNA

Eoghann Irving is a wrestling fanatic he posts reviews of all the national pro-wrestling tv shows each week in addition to daily news and rumor updates.

Oct 9
Safety Tips When You Shop Online – I
posted by: admin in Entertainment on 10 9th, 2008 | | No Comments »

Safe online shopping is all about doing your homework and if you have never shopped online then start with some recommendations from your family and friends and try to find out more about the company you intend to make deal with and pass on your credit card information.

All this is important because if something goes wrong with your purchase, then the more information you have the better position you will hold of. Always look for the business street address, phone number and other information if it is a local website. If you are not sure about a company’s track record you need to do some research online whereby you can search for complaints and the company name into google forums.

When you are confident enough about a trustworthy website and you are ready to buy:

1. Check the description of the product, price including the cost of delivery, currency and taxes and other warranty details. Good shopping sites shall give you an opportunity to confirm or reject your order before you pay for it.

2. Check for the method of payment such as credit card, money order, cheque etc. In most of the cases it is always safe to pay through credit card such as Visa, Master card that all have charge back schemes and won’t hold you liable for any undelivered goods or unauthorized transactions.

3. You should confirm that the website has a secure checkout because Secure Socket Layer is the most frequent technology used to secure shopping websites. This is because it encrypts your personal information as it passes over the web.

4. Check the place where your details shall be stored later because some online businesses store them on a secure server or destroy them once the transaction is processed.

For further information, visit website http://www.entertainment-coupon-book-2006.info

Olivia Andrews, writer of entertainment-coupon-book-2006.info is a freelance journalist and has written many reviews on subjects such as finance, education, health, entertainment, music, gifts, crafts, travel, apparels and mobile phones.